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japanese traditional patterns coloring book!

From the beginning of this year I have had the privilege to associate with Jogan Yoshio, kimono designer in Kyoto. I visited his atelier, had the chance to attend some events with him and we are also starting to collaborate on some projects (such as the one in Wakayama) .

He is really the quintessential Japanese artist/craftsman: soft spoken, passionate and humble. His right arm is the charming Hiroyo, with feline eyes riding high heels and sports cars: it feels like she could have just come out from a 007 movie or a Lupin III cartoon. The matching and the positive contrast of different elements is somehow a trademark of Jogan sensei.

He practiced since his childhood in the ateliers and along the water streams of Nishijin, the area where Kimonos are woven, dyed, block-printed, painted and embroidered with the collaborative work of dozens of separate companies. Kyoto is famous for its rigid and at the same time soft structures. Rules are not written but are so strongly encoded in the social behaviors that create a kind of invisible system of relations that puzzle the westerner. The secret is to learn every thing with the body rather than with your rational mind.

Rules are not there to be discussed but can be interpreted. Traditional patterns cannot be modified but of course are filtered through the sensibility and the DNA of each individual artist.
I think you will understand what I mean by watching this video:

check below for more photos and info to purchase the book.

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new yield of hinoki oil

We made a new production of hinoki oil, both DSB quality (young trees) and SR (special reserve kiso valley old growth hinoki)

I bottled 100 – 10ml. flasks per type, and I am willing to sell the rest in larger bottles at a discounted price.
DA – DA – DA -DADADA DA !
A) 1 bottle 100 cc of young trees oil (plastic bottle, no drip cap) = 12,000 JPY
B) 10 bottles 100 cc (1 liter in total) of young trees oil (package as above) = 80,000 JPY
C) 1 bottle 50 cc of special reserve oil (glass bottle, no drip cap) = 12,000 JPY
D) 10 bottles 50 cc of special reserve oil (glass bottle, no drip cap) = 90,000 JPY

*) packaging and shipping worldwide 1,000 JPY per parcel (air mail – no EMS)
– one parcel can hold up to 300 ml in any combination –

stock is limited so if you are interested please contact me at japan@bartokdesign.com asap!!

(see below for the production photos)

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kimono in the forest. An unforgettable memory!

this photo will inspire many! A tatami room immersed in the forest!

I received some beautiful pictures from Helen, a lucky owner of a Bartok design`s ofuro.
Here is her story:
When we travelled in Japan in 2013, we never stayed in hotels, but in Airbnb’s (of course, the price too is favorable) and once in a ryokan (in Nara). This gave us the best of all our Japan experiences on that summer!

We stayed with an elderly couple in Okayama prefecture, and I asked the woman (no English, just body language:) to show me how to tie the obi, as we had bought some old kimonos at the market in Kyoto.

This led to the most beautiful experience, as she was so engaged and happy for our interest, she collected all kimonos she had, showing them (her daughter is a textile artist, and had made a masterpiece of a hand painted kimono as an art project) and dressed us up – I think the pleasure of this was indeed mutual.

Then she persuaded us to wear them during a visit to a special restaurant in the forest, very traditional – and there we all sat, on our knees in our kimonos, eating all the strange and beautiful dishes. We will NEVER forget it. 
Well, now you got this long story (just an example, I have got so many!)…sorry for this! I just feel so passionate about making this kind of experiences available, as I enjoy them so much myself!
Good luck! I look forward to follow the project!
(see all the splendid pictures here below)

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The Nara Garden

As you know, there is nothing more soul-destroying for us here at Bartok design than to see old Japanese homes and gardens destroyed in the name of blind speculation. From time to time we hear about the impending doom before it happens, as in the case of this spectacular garden in Nara prefecture (east of Osaka).

A person I know that empties old houses has to throw away this garden in Nara…

We’ve been given the opportunity to share these pictures and we hope that with will be able to re-home some of the ornaments or even some of the plants.

We cannot say for sure how old these items are but we hope to bring more information to you soon. If you are interested in being kept in the loop please contact me via email (urgently) japan(at)bartokdesign.com

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MEMOIRS OF A GEISHA

We are deepening our relation and collaboration with the kimono designer Yoshio Jogan.
Jogan sensei is based in Kyoto and went through the long and steep path of mastering traditional kimono patterns since his youth.
But he believes that Art must always be in movement and the worship of a mummified tradition is not going to keep the Art alive.

Jogan sensei is a master in bridging the subtle traditional knowhow of kimono patterning into interior design, contemporary products and computer art. We will talk more about Jogan sensei in the next few weeks, but here I would like to anticipate a news that is also going to impact our Wakayama pre-war mansion re-branding project.

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a house for the arts – idea competition

Finally, my prayers seem to have reached some sensible ears up in Heaven…!

An enlightened owner inherited a high grade and extremely well preserved house in Wakayama. The house is a 1,400㎡ (mostly 1 story, 2 rooms on the upper floor) timber frame house on a 3,100㎡ lot.

K-house is relatively new (1940) but being pre-war, it belongs to a sensibility, culture of material and aesthetic sense that unfortunately is now lost and unknown to post war architecture.

I am not being nostalgic: it is an evaluation based on the virtue of the design elements: knowledgeable but with a scent of fantasy.
If you look at the photos below (↓) you will agree that the sukiya-zukuri style in the Taisho and early Showa period is probably the highest point reached by Japanese architecture. The materials are selected with respect for their features. There is wit and irony. Nature mingles with architecture and even penetrates it as branches become railings and full moons become windows.

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Wandering the Nakasendo

According to the newspaper it’s popular among tourists to hike the Nakasendo trail between Magome and Tsumago post towns. We opted for the easy way – rented a car. But still, the views were stunning and having a car afforded us the opportunity to see more than just the trail towns.

The Nakasendo is an ancient foot highway that connected Tokyo (or Edo as it was known then) with the rest of Japan to the west. Follow the whole road and you will eventually arrive in Kyoto. It dates back to the 1700s.

Our interest in this area stems from two things: we enjoy learning about and appreciating Japanese history; and we are enamoured with the forests of Japan. The portion of the Nakasendo which is best preserved is in a geographic area called the Kiso Valley. In this area you will see the massive forests of conifer trees, Japanese hinoki (Chamaecyparis obtusa), sawara (Chamaecyparis pisifera ). These are just two of the Five Sacred Trees of Kiso which are favoured by bathmakers.

We started our trip in Nagoya, which is centrally located between Osaka and Tokyo. It made a convenient meeting point for our party of three. Getting an early start towards Gifu prefecture was made easier for being only an hour or so away.

Day One

We took an express train from Nagoya station to Ena station. We had arranged to pick up our car from Ena. The map showed where the rental place was but we were not sure if it was walkable or a taxi was a better idea. Calling into the Ena Tourist Information centre gave us our answer (taxi) and a whole host of other information.

Following the advice of the Tourist Info Centre, we spent the morning walking along a part of the Nakasendo that isn’t as well preserved as what we would later see, but still a nice stroll with enough interesting facts to get us excited about the rest of the trip.

After lunch, we took in the view from the Shinonomeo Bridge, which overlooks the Kiso River. With free parking nearby and quite an elevation, this was a great tidbit to learn.

You can see how high we were because look at the tiny car on the right! And this was our first glimpse at the forests!

Shinonomeo Bridge
Overlooking the Kiso River

Our next stop was the ruins of the Naegi Castle. This time we were immersed in the forests and got to experience the feeling of shinrin yoku briefly (forest bathing), although being a public holiday it was busier than usual.

The short hike from the carpark was worth it. Look at the views over the Kiso Valley! Look at the trees!

Day Two

The first post town of significance we visited was the beautifully preserved Magome Juku.

Magome Juku – these homes are between 100 and 300 years old
Magome Juku on the Nakasendo in Gifu Prefecture
A souvenir shop on the Nakasendo
It’s not a long hike between the post towns – this was about halfway, near the Odaki Waterfalls

Our next stop was Tsumago Juku. One of our favourite places was the old school – built from wood of course! It closed in the late nineties.

Kyu Nagisocho Tachitsumagosho School
Kyu Nagisocho Tachitsumagosho School
Each building and shop is decorated with flowers

A lot of effort has gone into preserving this area and piece of Japanese history. According to Wikipedia the area prospered until a major vehicle highway in the area bypassed the towns. Facing demise and economic ruin a few of the towns’ forefathers elected to renovate the old houses and buildings. In 1987 the central government granted them historic status.

This whole area is fascinating especially if you’ve come to Japan and are hoping to see some history but are feeling overwhelmed by the number of temples and shrines. The Nakasendo / Kiso Valley area is very much a piece of history with roots in commercialism – the trade routes of Japan. It makes for a nice change of pace because it’s more recent history than the temples which date back thousands of years. It’s actually possible to imagine walking along these routes, stopping for a night in a ryokan inn, grabbing a plate of local soba. I highly recommend you visit!

Sacred Trees of Kiso Valley

In my next post I will talk more about the trees, forests and how important they are both now and then, to the ofuro makers, such as Bartok design.

If you are interested in tracing our route please take a look at the custom map I created on Google maps of our stops. I am more than happy to give more information on anything. -Jacqui (Bartok design team member)

https://goo.gl/maps/wv9v81eWKyu5bu9x8

Reiwa Era: Important Notice

Important Notice Regarding Holidays & Bank Closure

As we welcome the new era! Reiwa era starts on May 1st, 2019


Please note that next week the spring holiday break called “Golden Week” will start. This year our holiday is particularly long on the occasion of the celebrations for the new emperor, taking place of the father who has abdicated. The new era Reiwa begins on May 1st.


To make a long story short, if you can make the bank transfer by April 24 (4/24) I think we will receive it by April 28 (4/28) and be able to work/ship during the long holiday period.


If not, all bank processing and shipping will happen after May 7th (5/7). Thank you for your understanding.


HANAMI and JAZZ in Kameoka (LIVE!)

If you are in Western Japan this saturday 4/6, you cannot miss the Hana-mi event organized by Nakagawa Juken at the model house in Kameoka.

Here you can meet with people who fled the cities and are now living in a ko-minka AND you can meet with those who are getting ready for the big jump: the people who are longing to live in an old traditional house in a natural but culturally stimulating environment and are looking for the right timing.
But you can also come to hear Makoto in concert (former top level Geisha in Gion and now acclaimed jazz singer)
And yes, even just those who want to eat heart food in a friendly setting are welcome.

I said that you cannot miss the event if you are in Western Japan. But it is not precise. Actually you cannot miss it if you are anything in the world and have a Wifi connection!
I am planning to run the full event on FACEBOOK LIVE with talks, live music, interviews, and yes! you can ask questions and have them answered!
It is my first time with Facebook live and I am not sure how it will go but if you are awake between 10:00 ~ 14:00 JST join us!
I am not sure if I can run the live from the bartok design facebook page or if it will run from my personal page, anyway here are both URLS just in case:

https://www.facebook.com/japanese.ofuro/

https://www.facebook.com/itorrini

 

Kameoka projects – tsunami for you!

How are you?
I am dying to to ask you an opinion!
Do you think I should become the curator or Rica should?
A foreigner living in Japan (A1) or a charismatic and charming international minded Japanese lady(A2)?
If you do not what I am talking about, please go the bottom of this letter.↓

Or, if you can bear with me 5 minutes, lets proceed with order.

In the internet and SNS world it is recommendable to release news slowly, to create constant and recurring waves of interest towards your projects or products.

But I did not follow the orthodox practice this time.
This post in not just a wave. I think it will hit you like a tsunami…!
(a tsunami of happiness and energetic thoughts!)

What`s it all about?

Well, everything starts from a party organized by a group of italian expats in Osaka.
I met Christian there: a Florentine nice guy with a beard who bought and renovated an old Japanese house in Kameoka (near Kyoto) and just starting to run it as an air bnb.

Two days later, a friend real estate agent in Kobe (Rica Bradshaw) calls me saying she wants to introduce me another real estate agent.
They are coming to my office few days later.

Can you imagine my surprise when the guy she introduces me … is actually operating in Kameoka and salvaging old houses? !!
Too many coincidences to ignore it !

We plan immediately to visit his projects as well as the recently met new friend Christian.
On a cold but sunny february 20th 2019 we head to Kameoka on my yellow Honda Fit,
Rica, Jacqui and me.
Here below are 3 videos we assembled with the photos and talks we had that day.

The first is a general overview of Kameoka territory and some examples of houses being renovated or on sale. The video ends at the Nakagawa Juken model house where Mr. Nakagawa produces events (like concerts or BBQ parties) and makes it possible for curious urban dwellers to sleep one night in a ko-minka country house.

The second video is the visit to Bishamon House (managed by Christian Cambi) and short interview.

The third video is the interview with Mr. Nakagawa (the local real Estate agent Nakagawa Juken).

Doesn`t it look like a tsunami?
We bring you virtually on site 3 videos full of emotions, dreams, blunders…

And this is just the tip of the iceberg.
Mr. Nakagawa`s ideas are complementary to my worries and tentative solutions.
Do you remember in the end of the year newsletter I was planning to take action to create opportunities for young people to learn the woodworking crafts from the aging masters in order to preserve the secrets of ofuro bathtubs manufacture for the next generations?

Well, I cannot help seeing a divine hand staging my encounter with Mr. Nakagawa.
What is most amazing is that he has the same anguish (many old buildings to renovate and not enough skilled workers).
But he is a practical thinker and already come up with the solution.

He wants to open an “Academy” where youngsters interested in traditional crafts can learn from the masters.
He is considering creating different courses to target the different traditional disciplines such as:
– carpenter
– plasterer
– bamboo weaver
– gardener
– clay worker
– tatami maker
– cabinet/door maker
etc.

and here is a chance for me to open a:
– ofuro workshop !
within the “Kameoka Traditional Crafts Academy”.

Mr. Nakagawa is considering the following conditions:
1) length of course of 1 month, 3 months, more.
2) tuition is about 3000 USD for the first month, proportionally less for longer stays.
3) there is a chance for students to work in the current projects and earn credits that can be used towards room and board, purchase tools etc.
4) students will be fully insured and can join the program with a normal tourist visa


And here is the big question I alluded to in the opening note:
Q: who should be the director/curator of the Academy?

A1: Some people are suggesting I should be.
I would not be involved in the day to day management of the courses but would have a position of supervision and interpreting the wishes/distress of the foreign students and develop the courses based on the actual needs.
I am honored to be appointed for this position, but believe that a Japanese curator would be more appealing for the foreign students.

A2:I think that people coming from the other side of the world to learn traditional Japanese crafts in an authentic environment may prefer that a Japanese person. Rica (who is translating Mr. Nakagawa`s interview in the 3rd video) is my candidate.

What would you prefer? A1 or A2? Other ideas/comments? Please let me know.

Please reply by email to japan@bartokdesign.com or comment here below.

I am looking forward to brainstorming with all the community of Japan lovers and thank you in advance for the kind help!


UPDATE!

I am here literally crying like a baby, on my keyboard reading all the emails that have been coming in from all of you!
It is so rewarding, moving, exhilarating to receive such honest, wise, caring advice.
In this moments of sharing and receiving feedback I really feel grateful and blessed.
It is like belonging to a large family: next time people ask me, I will tell them my family is made of 1600 people!

If you do not understand why I am so hot about it, read yourself the amazing comments/advice I received in the first 24 hours:
https://docs.google.com/spreadsheets/d/1AtNciiPNqGC-aSi2_mNPnWifhxWR8P_hycCd31Muxi4/edit?usp=sharing

I will add yours as well – omitting the private information – so please feel free to contact me by email anytime.

…to be continued…>

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