Hinoki Esential Oil is both calming and uplifting. Like the scent of a forest on a warm summer day, the scent of Hinoki is earthy, lemony, fresh.
Our original Bartok design Hinoki Essential Oil is the purest you will find. We extract the oil ourselves from off-cuts, shavings and wood chips – all real wood. There are no twigs, leaves or bark in our product resulting in a pure clean scent that is unparalleled. The complexity of our oils is exceptionally deep.
The Bartok design Pocket Onsen Set contains a choice of two oils:
Hinoki Cypress is extracted from trees roughly 40 years old. A ‘young tree’ used in construction, for decorative items, religious artefacts and furniture. Our bath accessories are made from this wood which gives us a good supply of offcuts from which to extract the gorgeous essential oil.
Special Reserve Hinoki 250 is extracted from mature growth trees, usually at least 250 years old. The wood from older trees is compacted tightly which makes it ideal for use in wet zones such as the bathroom. Therefore we use this wood to make our Japanese ‘ofuro’ soaking tubs. Like a fine wine, cheese or whiskey, the aged product has a complexity and depth not seen in younger wood.
*It is also possible to order a ‘compare set’ with one of each oil.
If you’re in Japan this summer and are craving some time away from the city then we highly recommend Awaji Island. From the city of Kobe, it’s just a short drive or bus ride across the world’s longest suspension bridge, the Akashi Kaikyo Bridge.
Once on the island, you can hire bicycles, hire a car or use public buses to explore. The island is a lot bigger than you might expect, so don’t think you’ll cover it all in one weekend. However, you can easily plan your trip around one or two tourist attractions then finish your day with an evening swim before heading back to your hotel for a soak in the hot onsen bath.
Food highlights include an abundance of fresh seafood and world-famous Awaji Beef (similar to Kobe beef or wagyu with marbled fat throughout). Onions are also grown locally so don’t miss the local speciality onion tempura.
As far as it being a tourist mecca, it’s far from it. We observed a lot of young people enjoying time on the beach, driving to the local cafes that are popping up along the coast and riding rented bicycles while enjoying spectacular coastal views. Everything felt leisurely and stress-free.
For the ultimate in stress-free relaxation, we would start trip planning with a visit to a hotspring. Find a few on this page.
Made in Awaji
Our Su~ Daybed is made on Awaji Island. The slow pace and relaxed lifestyle there really lends itself to creating a quality product with attention to detail. See more about Su~ Daybed here.
The world’s first daybed made entirely of wood, with no metal parts
Oder this stunning piece of furniture for your home.
Minimalist Japanese homes typically don’t have a lot of furniture in them but when they do, it’s a simple yet stunning piece such as the Su~ Daybed.
A classic piece such as a daybed is at home in a modern environment where wood adds warmth to the room. The leather cushion is timeless and can be a little bit edgy and unexpected in a family home.
Place the Su~ Daybed in your office to greet clients over coffee and sneak in an energizing nap after a long evening at the desk.
Imagine lazy afternoons in front of a picture window, perhaps overlooking a Japanese garden, cozy with a throw rug and the newspaper.
You have an appreciation for fine craftsmanship and attention to detail.
The Su~ Daybed is made according to centuries-old Japanese furniture-making techniques and does not include even one metal part – incredible! It’s definitely a talking point. No nails, no bolts or screws, just beautifully shaped wood.
Each Su~ Daybed is handcrafted from a piece of lumber chosen for its beautiful grain. No two are alike due to the unique voice that is lovingly coaxed from the wood. The wood from which it is made is somewhat rare – keyaki (Japanese Zelkova) and is chosen for its beauty.
The process of assembly requires precision and attention to detail as each piece must slot together perfectly. It requires the patience and training only a master craftsman displays.
Each Su~ Daybed takes about 7-8 weeks to make and a week for delivery, via seafreight. The Su Daybed is made to order.
The product specs
The Su~ Daybed has a keyaki frame (Japanese Zelkova) a native hardwood prized in furniture making.
The slats are soft yet durable, aromatic hinoki (Japanese cypress).
The external frame size is the same as a “kyoma” size (Kyoto-module) tatami, the golden ratio of tatami mats is 1910 x 955mm.
The daybed is a comfortable 410mm high which accommodates all heights of people when seated.
The leather mattress is 1810 x 755mm. The leather is joined with simple double stitch quilting and through stitching to keep the tufting in place.
The mattress is finished with fine full-grain leather (other versions with Japanese traditional fabrics etc. may be available upon request). The filling consists of 90mm of hard chip urethane and 20mm of low repulsion urethane. The whole thing is wrapped with acrylic non-woven fabric which allows the leather to move smoothly. The mattress side is tightened at 90mm thickness while the filling is more than 110mm. This results in a sharp and tight edge and a soft yet supportive super comfortable mattress.
Please do not hesitate to contact me with any questions or problems.
I am Iacopo Torrini, an Italian architect and designer living in Japan. My company, Bartok design, custom-builds interior furniture items such as wooden bathtubs, sliding doors and the Su~ Daybed. My passion lies in sharing the history and traditional craftsmanship of Japan with the world.
We have been in business for more than twenty years and have an established reputation for superior quality and exceptional customer service. I invite you to get in touch with me directly so we can get to know each other and I can understand what you are looking for in a daybed.
Get in touch today to start the order process. Or order directly from our online store.
Following all the talks in April and May, we are finally ready to start with the enrollment of students interested in learning the traditional japanese wood construction crafts!!!
We are starting a new renovation project and are ready to enroll students. Officially we are aiming at July 1st but if you are planning to come to Japan in June, we are basically ready to welcome you anytime.
The students will both the taught the principles of the craft and will also have the possibility of working in the actual construction site. It will be an experimental phase with the following conditions:
Thank you again for the smart ideas and the kind support about the project of infusing new functions in the Kiwata-house in Wakayama.
Last month I presented the conceptand we are now discussing on how to implement it. Apologizing for the delay in getting back to you, let me summarize the main points.
The first chart exemplifies the structure of the project. Striking a parallel with the cycles in agriculture: *rooting = 5 basic ideas I illustrated in the mailing message *seeding = based on the (biased) opinions of all of you who replied I selected some concepts and lines of intervention *watering = many of you gave me great indications for the overall branding *growing = some ideas about the promotion and management *reaping = goals to be fine-tuned, reached and further developed.
In the PDF (see below) I am also including a selection from the comments I received from all of you.
The concept that stuck me the most are: ONE DAY IN LIFE: * the house provides the experience of “just a normal day in prewar Japan” * second meaning: one day in the life of each visitor. We want to leave a memory that can entangle with and become part of their personal story-roll.
TOTALLY TRADITIONAL – TOTALLY CONTEMPORARY: * the house is historical and original therefore should not be faked. Any addition or modification should be in harmony but cutting edge.
MUSEUM OUTREACH / COLLABORATION * we should explore the possibility of operating in connection with a famous museum. This could widen the scope of the project and hopefully make it become a model for other beautiful houses in Japan that could be rescued and preserved.
This is all for now. We have more meetings coming up this month and I will keep you updated on the solution that the owners chose and about the next steps of the project.
From the beginning of this year I have had the privilege to associate with Jogan Yoshio, kimono designer in Kyoto. I visited his atelier, had the chance to attend some events with him and we are also starting to collaborate on some projects (such as the one in Wakayama) .
He is really the quintessential Japanese artist/craftsman: soft spoken, passionate and humble. His right arm is the charming Hiroyo, with feline eyes riding high heels and sports cars: it feels like she could have just come out from a 007 movie or a Lupin III cartoon. The matching and the positive contrast of different elements is somehow a trademark of Jogan sensei.
He practiced since his childhood in the ateliers and along the water streams of Nishijin, the area where Kimonos are woven, dyed, block-printed, painted and embroidered with the collaborative work of dozens of separate companies. Kyoto is famous for its rigid and at the same time soft structures. Rules are not written but are so strongly encoded in the social behaviors that create a kind of invisible system of relations that puzzle the westerner. The secret is to learn every thing with the body rather than with your rational mind.
Rules are not there to be discussed but can be interpreted. Traditional patterns cannot be modified but of course are filtered through the sensibility and the DNA of each individual artist. I think you will understand what I mean by watching this video:
check below for more photos and info to purchase the book.
We made a new production of hinoki oil, both DSB quality (young trees) and SR (special reserve kiso valley old growth hinoki)
I bottled 100 – 10ml. flasks per type, and I am willing to sell the rest in larger bottles at a discounted price. DA – DA – DA -DADADA DA ! A) 1 bottle 100 cc of young trees oil (plastic bottle, no drip cap) = 12,000 JPY B) 10 bottles 100 cc (1 liter in total) of young trees oil (package as above) = 80,000 JPY C) 1 bottle 50 cc of special reserve oil (glass bottle, no drip cap) = 12,000 JPY D) 10 bottles 50 cc of special reserve oil (glass bottle, no drip cap) = 90,000 JPY
*) packaging and shipping worldwide 1,000 JPY per parcel (air mail – no EMS) – one parcel can hold up to 300 ml in any combination –
stock is limited so if you are interested please contact me at email@example.com asap!!
I received some beautiful pictures from Helen, a lucky owner of a Bartok design`s ofuro. Here is her story: When we travelled in Japan in 2013, we never stayed in hotels, but in Airbnb’s (of course, the price too is favorable) and once in a ryokan (in Nara). This gave us the best of all our Japan experiences on that summer!
We stayed with an elderly couple in Okayama prefecture, and I asked the woman (no English, just body language:) to show me how to tie the obi, as we had bought some old kimonos at the market in Kyoto.
This led to the most beautiful experience, as she was so engaged and happy for our interest, she collected all kimonos she had, showing them (her daughter is a textile artist, and had made a masterpiece of a hand painted kimono as an art project) and dressed us up – I think the pleasure of this was indeed mutual.
Then she persuaded us to wear them during a visit to a special restaurant in the forest, very traditional – and there we all sat, on our knees in our kimonos, eating all the strange and beautiful dishes. We will NEVER forget it. Well, now you got this long story (just an example, I have got so many!)…sorry for this! I just feel so passionate about making this kind of experiences available, as I enjoy them so much myself! Good luck! I look forward to follow the project! (see all the splendid pictures here below)
As you know, there is nothing more soul-destroying for us here at Bartok design than to see old Japanese homes and gardens destroyed in the name of blind speculation. From time to time we hear about the impending doom before it happens, as in the case of this spectacular garden in Nara prefecture (east of Osaka).
A person I know that empties old houses has to throw away this garden in Nara…
We’ve been given the opportunity to share these pictures and we hope that with will be able to re-home some of the ornaments or even some of the plants.
We cannot say for sure how old these items are but we hope to bring more information to you soon. If you are interested in being kept in the loop please contact me via email (urgently) japan(at)bartokdesign.com
With the email subject line from our client “At last the bathtub is in place” we could appreciate the hard work and effort that goes into redesigning a bathroom. Importing an ofuro from Japan takes no small effort and a huge amount of trust that we are going to get it right.
But get it right we did. Look at this stunning bathroom with it’s outlook on a mini version of the Swiss Alps (or so we like to think, since the bathtub is in its new home in Switzerland). Hats off to the designers of the bathroom who have managed to create a calm and relaxing space that I am sure the owners will love for years to come.
Can you imagine slipping into the delicious hot water after a day on the slopes?